sweet you rock and sweet you roll
--- the Buzz to here ---

5
Jul

Sarah McLachlan — “Full of Grace” (from Surfacing) —

So, what was supposed to be an unassuming chat on my ramshackle radio show about a self-published memoir from an actress whose work I have long admired has turned into something of a blockbuster, and has given Brandon’s Buzz Radio its most listened-to week in the four-and-a-half years of its existence. In case you missed all the hoopla: the brilliant Alicia Coppola — who will forever be remembered in this household for her three-year stint as that hot-tempered hellcat Lorna Devon on NBC’s dearly departed classic soap Another World — stopped in to the Buzz last Thursday to discuss her brand new book Gracefully Gone, a compelling chronicle of her father’s ten-year battle with brain cancer which is told through interlocking entries from both his and her journals. My show’s network, BlogTalkRadio, showcased the episode as one of their “Staff Picks” all day last Saturday, and by the end of the weekend, the episode had become my most downloaded episode ever. Here we are exactly one week later, and Alicia’s episode is still the second-most popular outing in the “Books” category across the entire network. (And with over 15,000 active hosts currently populating the network’s airwaves, that stat is nothing to sneeze at, people!) If you have yet to catch this installment, you can listen to it here, or — as is the case with all ninety-three episodes of Brandon’s Buzz Radio — you can download it as a free podcast from the iTunes music store. (My beloved, A, would like me to type here a simple note of caution: Alicia and I talk about some fun stuff across the course of our hour together — like how she hungered to rummage through Linda Dano’s turbans and boas and pilfer a few for her own back in the day — but be aware that the conversation does get a bit heavy in places.) As ever, I am overwhelmed by your generosity as you continue to make the various platforms of this homemade endeavor regular stops in your daily journey along the paths of popular culture. I couldn’t be more grateful for the opportunity to entertain you, even if only for a few, fleeting moments.

4
Jul

Tyler Farr — “Redneck Crazy” (from Redneck Crazy [Single]) —

I don’t know if I connect with this two-hundred-seventeen seconds of craziness because it’s so funny (it’s hilarious, and made even more so by the fact that Farr plays it mostly straight) or because I share my bloodline with a fair number of folks whom I have no doubt would behave exactly like this if they found themselves trapped in a similar scenario. (Not all of said folks are male, either; regardless of chromosome placement, we Henslees aren’t exactly shy, retiring wallflowers, and thus, the women in my family tend to be a bit on the mean side.) It seems a relative certainty that Mr. Farr has done hopped the bus to One-Hit Wonderville with his ridiculous novelty smash, but it’s a frivolously fun ride nonetheless.

29
Jun

Ed Sheeran — “Lego House” (from +) —

Don’t allow this tune’s titanically ludicrous title — after all, if the name of a song is meant to evoke imagery and deep emotion, I think we can all agree there’s a wonderfully wide gulf between Joni Mitchell’s “A Case of You” and/or Tom Waits’ “Ol’ 55” and this, though could we reasonably expect something more from a chap who decided to name his debut album after the mathematical symbol for addition? — to distract you from its simple, serene quality: when the books are written on 2013 and its music, this modest ditty might just emerge as the year’s sweetest love song.

15
Jun

Jimmy Eat World — “Please Say No” (from Damage) —

It’s Sherry Ann’s birthday this fine Saturday, and she informed me last year that her favorite gift is usually the annual blog post, starring her, which appears on this website every year on this day. (When I was a plumb fool last year and failed to acknowledge her birthday in a timely fashion here on the Buzz, she was not at all bashful in letting me know precisely how unhappy she was about it, and trust me: won’t be making that mistake ever again.) I wish I had more time to write reams about what a fabulous woman, magnificent mother, and ferociously fantastic friend she is, but alas, I can only offer her this meager pittance of a paragraph. She was supremely excited to learn that one of her favorite bands was releasing their latest album on a week which happened to contain her birthday, so in honor of Sherry Ann Day, the Buzz’s speakers are blasting this tune, a haunting (and even a tad depressing, which is their wont) highlight from Jimmy Eat World’s rough-hewn new record. So, so much love to you, my bestest of best friends, today and always.

13
Jun

Jessica Sanchez — “Don’t Come Around”
(from Me, You and the Music) —

Sanchez made her name on American Idol last year by positioning herself as a doe-eyed innocent with a Whitney-style rafter-rattler of a voice, but on her first official release as a recording artist, she’s clearly trying to stake a claim in Rihanna’s lane, with the able aid of a wicked-cool sample lifted wholesale from my all-time favorite Tom Petty track, his smash 1985 collaboration with Dave Stewart, “Don’t Come Around Here No More” (which you may or may not know was originally intended to be recorded way back when by the peerless Stevie Nicks). I strongly suspect this record is going to be overwhelmed by the crush of marquee releases heading to retail this month, which’d be a mighty shame; Sanchez is clearly still figuring out who she wants to be as an artist, but — creatively, at least — she’s off the blocks with a killer start.

8
Jun

Brendan James — “The Fall” (from Brendan James) —

Lord Jesus, if this sultry, sweltering Saturday morning is a sneak preview of what this impending Centex summer is gonna look like — quite literally, my shirt is wet enough to wring out — I think I’m gonna hide in a hole and not come out until mid-November, when it will once again to be cool enough to at least open the front door without choking on humid, heavy air.

6
Jun

Demi Lovato — “Heart Attack” (from Demi) —

Where in blue hell did this thing come from? A former Disney Channel princess who hurled herself up to the big kids’ table last year with her smash single “Give Your Heart a Break” and a lauded stint as a judge and mentor on Simon Cowell’s otherwise misbegotten Americanized version of The X Factor, Lovato lunges back into the spotlight — in full-blown bitch goddess mode (which, shockingly, fits her like a satin glove) — with this smashing about-face. Hey, Christina and Britney: y’all had best be keepin’ both eyes on this gal, because she is clearly playing for keeps.

5
Jun

Elton John — “I Swear I Heard the Night Talkin'”
(from To Be Continued. . . ) —

A couple of years out yet from one of the classic comebacks in pop music history — 1992’s grand The One — and still seemingly struggling a bit with his sexuality (or, at least, with the public ramifications of same), Sir Elton caps a half-decade of flying (fabulously) under the radar by turning to his chief therapist — lyricist Bernie Taupin, duh — to help him come to grips with the demons of desire in this unheralded gem from a career-capping box set.

2
Jun

Moby — “We Are All Made of Stars” (from 18) —

A and I spent our Memorial Day last Monday taking a relaxing, leisurely, music-filled drive up into the Texas Hill Country, with stops as far-flung as San Saba, Lampasas and Killeen. But the highlight of our journey was a layover in Llano, Texas, a quaint li’l burg roughly a half-hour north of Fredericksburg that, I quickly surmised, had rarely hosted the footfalls of gay men prior to last week. (This conclusion wasn’t difficult to reach based solely on the looks we got from the fine folks at the town’s Dairy Queen, who sized us up with the same scrupulous scrutiny one might reserve for a pair of stranded Martians who missed the last shuttle back to the cosmos. And to be fair, we wouldn’t have even attempted to grab some grub at the DQ, but A has this slightly psychotic notion that the only time he is allowed to eat chicken strips is while he’s on a road trip, and I had a hellacious hankerin’ for a dipped cone, so the Queen was the only available eatery that checked all the aforementioned boxes.)

The best part of our day (for my money, anyhow) was a visit to Llano’s local Alco store, which, even though I live in a reasonably metropolitan city and thus have easy access to a multitude of stores and shopping experiences, is always such a supreme treat. If you’ve ever patronized an Alco, then you know exactly where I’m coming from on this, but if you’re a newbie: it’s essentially a Wal-Mart in miniature, selling everything from sheet sets to school supplies to clothing to luggage to household tools to Blu-Ray players to the latest Pistol Annies CD, with perhaps a greater concentration of kitschy home decor items that you’d be hard-pressed to find anywhere else on Earth. A quick visit to Alco’s website informs me that they operate over two hundred stores, mainly in smaller cities (populations between five and ten thousand) strewn across the nation’s heartland clear from Idaho to Florida, and if you ever find yourself in the vicinity of one, you should pop your head in and take a look around. Even if you end up purchasing nothing, you’re sure to find the store’s offerings fascinating, and you never know what you might find.

To wit: while ambling through the housewares section in the back corner of the Llano store, I ran across what is quite literally the gayest pillow I’ve ever seen. Oversized and made of a soft and fuzzy velvet-like polyester blend (or so the tag tells me), this pillow is adorned — liberally — with rainbow-colored glitter and star shapes. A was instantly mortified by the pillow’s ostentatiously loud fabulousness, but I was immediately entranced, and though he tried in vain to convince me I didn’t really need it, it quickly found its way into my basket. The poor cashier lady was visibly trembling as I laid it upon the counter for her to ring up; it was as though: a) she really had never seen a gay person in her lifetime (see: my postulate in the first paragraph above), and b) she couldn’t quite wrap her mind around the idea that someone would actually have the balls to walk into her store and purchase this pillow.

I’m madly in love with this furry, grandiose glitterbomb, and though it has yet to find its final resting place inside my home one week on — A is a bit intimidated by its relentlessly cheerful, cosmic facade and has absolutely barred it from the bed — I have no doubt that whichever sofa it ends up gracing, it will live out its days there with fierce, freakish grace. (If you’re wondering what exactly a gay pillow looks like, please allow me to direct your attention to the photograph below. May it suffice to say: if gay heaven doesn’t look something like this, to paraphrase ol’ Hank Jr., I’d just as soon stay home.)

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21
May

Blake Shelton & Trace Adkins — “Hillbilly Bone”
(from Loaded: The Best of Blake Shelton) —

So, that big ol’ barbecue feast that was originally supposed to take place the weekend before last got delayed until last Friday night, but rest assured: the brisket was lean and juicy, the turkey was fabulously moist, and both A’s and my hillbilly bones were tickled but good by our rather rare smoked meat throwdown, which was well worth the wait. (PS: No peacocks were harmed in the creation of this blog post.)

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16
May

The Airborne Toxic Event — “This is London”
(from Such Hot Blood) —

Dialing way back on the overblown percussion and ersatz edginess that liberally littered their massively disappointing second record, Mikel Jollett and his band are back on track big time with a terrific third effort, which is anchored by this ethereal, string-drenched gem, a quietly haunting (if slightly melodramatic) tale of love, lost youth and pub-stumbling chaos across the pond.

15
May

Katy Perry — “Peacock”
(from Teenage Dream [The Complete Confection]) —

True story: on my way home from work Sunday night, I stopped by our favorite local BBQ joint to pick up several heartstopping pounds of various classes of meat (and a quart of cole slaw and a loaf of bread, just to even out the prospective plates to be created from this meal). I did this because, earlier that day, A had put the notion in my head that this should be our dinner, and he is such a ginormous carnophobe — quite literally, he says endearingly wacky things like “I’ve only had three salads this week!” on a regular basis — and he of course had the great fortune of setting up house with a native Texas boy who wholeheartedly believes “hamburger” is one of the four main food groups (and who, natch, believes that lettuce is meant to be nothing more than a crisp, pretty garnish for said hamburger), so whenever he suggests a meal that in any way involves beef, I tend to leap at the chance.

It being the evening of Mother’s Day in the heart of the Lone Star State, I clearly should have been able to predict that the joint would be a mob scene. And indeed, when I stepped inside, I immediately caught sight of a line of folks easily numbering eighty to one hundred, all of them waiting patiently to be fed. I put myself at the back of the line for the moment, but it quickly became clear, after standing there for five full minutes and not moving a centimeter, that no barbecue would land on my plate that night.

Dejected, I headed back out into the parking lot and toward my truck, where I immediately caught sight of a whole new bizarro quandary: while I had been inside sorting out my dinner options, completely out of left field, a living breathing peacock — I swear to Jesus this is the truth! — had emerged and was standing directly before my pickup sniffing my passenger side headlight. It wasn’t difficult to foresee the dilemma awaiting me, as there was a young, goofy couple — each of them clutching their smartphones like they were out to win a prize — standing behind the beast and repeatedly snapping pictures.

I slipped around the cars that were parked next to my truck and came around the side in order to enter my vehicle, praying that I could get inside without being attacked by the damn bird, all the while hoping that the sound of my truck cranking up would startle it enough so that I would be able to make a clean getaway without having to make the ultimate Sophie’s Choice: would I be forced to run over the peacock in order to be able to get home, or would I be forced to sit there and wait until it decided on its own accord to move the hell out of my way? Making matters worse: the aforementioned couple had seen me enter my truck (read: I now had fucking witnesses capable of testifying about whatever choice I would end up making), and the idiot male half of the twosome had begun flailing his arms about like Icarus and yelling, “There’s a peacock in front of your truck! Hey, a peacock! In front of your truck!” I waved back to indicate that I was, in fact, fully aware, and he resumed snapping his photographs, happy as a clam.

I sat there cooling my heels for a couple of minutes, pondering the idea that only in Austin, Texas is foolishness like this even remotely capable of coming to fruition, when suddenly, to my immense relief, I saw the bird’s head slowly start to bob up and down, and his body begun to strut toward the other side of the parking lot. Then I realized what he was walking toward: three more couples had converged on the scene, camera phones in all hands, now blocking my exit entirely. Seemingly left with no other easily identifiable options, I, too, decided to join in the fun: I rolled down the window, grabbed my iPhone, and snapped my own damned picture, which you can see below.

(The wrap-up on the above story: after three or four minutes, the peacock strolled away back toward the wooded area behind the restaurant, without ever fully revealing his evidently impressive plumage, and all the formerly enthralled photographers headed back to their cars and drove away. As for me: dinner that night was grilled chicken, baked mac and cheese, sliced cucumbers and tomatoes, and garlic toast, all courtesy of A, who very generously tossed this glorious meal together at the very last minute. Our barbecue feast is slated to occur later this week, on a day yet to be determined, and you’re all invited.)

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11
May

Mariah Carey — “Almost Home”
(from Disney’s Oz the Great and Powerful) —

The industry is (rightly) going nuts over Miss Mariah’s triumphant new collaboration with red-hot Grammy nominee Miguel, which is impacting top 40 radio in a big way this week, but I’m still scratching my head wondering what exactly happened with this delightful piffle. On the face of it, in terms of Oz-related film themes, attempting to follow up no less a universally beloved cultural touchstone than Judy Garland’s pristine “Over the Rainbow” just seems like pure folly, the least enviable task in the whole of modern music history. Smartly, Carey and company — including a mystifying five (!) co-writers — chose to flip the script, delivering a soaring, thoroughly harmless uptempo anthem which instantly re-establishes her as a relevant pop star. (True, “Home” is loaded with those trademark vocal trills that made Carey an icon two decades and change ago, but with the surprising electronica-inspired flourishes — courtesy of Norwegian production team Stargate, best known for their Grammy-winning work with the likes of Beyonce, Rihanna, and countless other pop tarts — buried deep within the music’s mainframe, this tune wouldn’t have sounded at all out of place on radio playlists next to Tegan and Sara — who have most probably already locked up tight this year’s single of the year derby with their fabulously fun breakthrough smash “Closer” — as spring turned to summer.) I have no credible intel on if mainstream pop radio just turned this one down flat, or if Island Def Jam blocked Disney from pushing this, knowing they had the Miguel duet in their back pocket — and if someone out there reading this knows the whole story, please share it with me — but no matter: in the daunting Oz canon, there’s no song like “Home.” It’s a lovely, eminently listenable, (almost) brilliant gem.